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A
biography is always somewhat unreal...
From
the cradle, little Michel could follow the raw hammer-on-anvil
rythm. In his early childhood, Church brought him sense of
musical harmony, if not celestial one. Destiny was obvious : times were
hard in the french far-west, but young Michel spared a few francs,
the local currency, and bought a guitar. A 'spanish' guitar, as
electricity was an odd rarity in this time and place.
His inclination lasted ages, so he ran through several
styles, fashions and
factions, adding songs to his talents, attracting people around him for
collective exhibitions. Here we
have the
next snapshot : Vibert performing an action
(as artists of the seventies termed it ) called "Mood Music".
It
was a time of large cultural melting pot and piano breaking.
Later, the city of Montrouge tamed his rushes and
gave him opportunity to perform more "musically correct"
public recitals of french and british shanties.
Drawing and painting remained for him a mere hobby, until, like Paul
Claudel, Michel Vibert was struck by revelation. Not at Notre Dame de
Paris, but near the Montrouge Postoffice wall. A neat red brick wall.
A press photographer seized his noble gesture at this very instant,
when he shout ANCH' IO SON' PITTORE ". On the 'Place
de la Poste', NGO italian volunteers delivered among the
crowd french translations of the Corregio quote and reanimated fainted
ladies overhelmed by emotion.
It
prompted him to busy himself for a great many years, filling score of
sketchbooks, in his effort to tame the painting crudeness, inherited
from the cave age. So, after years of hard labour, Ouvroir
Hermétique is proud to presents pictures from this large
display of good sound painting.
The
nepali
commitment
--
After those years of mind barking...
-- Just a second... 'bark', isn't the praised nepali paper materia
prima?
-- That's right, bark from lokta tree.
-- So his present work connects mind and bark? Inner truth
and outer wrapping.
-- Indeed. In short, for him, paintings and drawings provide practical
opportunities for making connections whenever and wherever it is
psychologically needed if one wants to get on...
(thanks to
Peter Greenaway)
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AND
NOW, KEEP ON ADVENTURIN'....
'Comédie
d'Images'
From
2010 to 2012, Michel Vibert intends to perform
three
'actions', showing ink-on-paper large pictures, up to 2 x
(20" x 26") among his others production.
Act I - March :
rehearsal at home ;
Act II - November-December : exhibition
at ESM with actors performances related to ancient chinese texts
;
Act III - Brioude (Auvergne),
July 2012 Maison de
Mandrin
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Exhibitions
2003 -
Atelier Gutenberg -
Montrouge
2005 - Ecole Montsouris - Paris
2006 - 'Le 125' - 125
Bd St Germain
- Paris
2008 - Rue de Vaugirard - Paris
2009 - Aux
Cercles Bleus - Paris
2010 - Ecole Supérieure
Monsouris - Paris
2012 - Maison de Mandrin - Brioude
2013 - Mairie d'Agnat (43100)
2014 - Ermitage St Vincent - Vieille Brioude
2015 - Abbaye de Lavaudieu
2016 - Le Puy en Velay
Vibert lives and
works
in Paris, left bank, with seasonal migrations to summer pastures in
Auvergne.
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The great saw - 2013
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